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Death Fugue

ebook
1 of 1 copy available
1 of 1 copy available

Published for the first time in English byGiramondo, Death Fugue is the boldattempt by a prominent Chinese novelist to confront the legacy of protest and suppressionwhich haunts her generation.

Sheng Keyi was born in Hunan province in 1973 andlives in Beijing. Death Fugue is her sixth novel, and the second to bepublished in English translation, after Northern Girls (2012). It is a bravework of speculative fiction, a cross between Cloud Atlas and 1984, scathingin its irony, ingenious in its use of allegory, and acute in its understandingof the power of writing. The imagination that drives it is exuberant and unconstrained.

In a large square in the centre of Beiping, thecapital of Dayang, a huge tower of excrement appears one day, causing unease inthe population, and ultimately widespread civil unrest. The protest, in whichpoets play an important part, is put down violently. Haunted by the violence,and by his failure to support his girlfriend Qizi, who is one of the protestleaders, Yuan Mengliu gives up poetry in favour of medicine, and the antisepticenvironment of the operating theatre. But every year he travels in search of Qizi,and on one of these trips, caught in a storm, he wakes to find himself in aperfect society called Swan Valley. In this utopia, as he soon discovers, impulseand feeling are completely controlled, and every aspect of life regulated forthe good of the nation, with terrible consequences.

Reviewed here in the New York Times

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    • Publisher's Weekly

      June 28, 2021
      Chinese writer Sheng (Fields of White) delivers an account of the life of a poet-doctor after a violent protest in his home city of Beiping, Dayang, an allegorical version of Beijing. Two decades after the protest, during one of Yuan Mengliu’s annual searches for Qizi, the love of his life who went missing during the unrest, Mengliu gets caught in a storm on a boat and reaches land in Swan Valley, a foreign and utopian city that’s geographically and culturally isolated from the rest of the world. There, Mengliu becomes a doctor and enters a marriage arranged by the government, an early sign that his new surroundings may be just as repressive as Beiping. The parallels are gradually unfurled with flashbacks to Mengliu’s previous life, and it’s often difficult to follow the shifts in the timeline or make sense of the plot. Sheng’s story evokes the Tiananmen Square massacre and the contemporary Chinese government’s control of day-to-day life in the country, though none of these details are explicitly mentioned, and the allegorical style leaves the characters underdeveloped. Ultimately, this feels flat. Agent: Jérôme Bouchaud, Astier-Pécher Literary & Film Agency.

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