作者是2014年在深圳举办"沉寂与绽放-两级世界·观"个人摄影作品展时,展出的就有第一章节内容,混用几种摄影技法一次成像拍摄出的时装图片,是超现实主义的时装摄影,与蒙着面纱只有一个黑色的人物图片,形成了对比,强烈的反差给人印象深刻。这次他也把超现实主义的时装摄影编入到了《麇尚摄影》作品集里,这是对的,因为"集"就是收集、集中、整合。作品集的后两章节,时尚环境人像、环境人物,尤其是时尚环境人像,以含蓄蕴藉的艺术手法,大胆的构图,人物拍摄角度刁钻,超出了基本构图法则,随意却很有章法,有气势磅礴之感,给读者遐想的空间远比图片本身的内容,超出了时尚的概念。这些作品中,有的粗狂挺拔,有的细腻入神,还有的是异彩风姿灵空飘逸,都较好地运用了摄影语言,在表现手法上凝练概括,作品的思维方式有很高的思想深度。
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