本书以巴洛克到启蒙运动时期的德国戏剧为对象,从文学文本和戏剧演出双重视角切入,扩展到剧院建筑、剧场结构、舞台布景、表演艺术、戏班运作机制、演出程序、演员生活和观众习惯等各个方面,从而建构起一个立体的戏剧发展过程,勾勒德国戏剧从巴洛克到启蒙运动时期的总体变迁脉络。
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