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Zeke and Ned

Audiobook
1 of 1 copy available
1 of 1 copy available
Larry McMurtry is a Pulitzer Prize winner and author of many popular novels such as Sin Killer. Co-author Diana Ossana has also worked with McMurtry on several screenplays and miniseries. Here the two writers put their heads together again to deliver a story about Ezekiel Proctor and Ned Christie, folk heroes and the last Cherokee warriors. "A wonderfully readable historical novel that furthers the understanding of the Native-white disputes of the last century."-Library Journal
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    • AudioFile Magazine
      Tom Stechschulte reads this rompin', stompin' tale in a good-old-boy style and accent, dramatizing the comic and tragic adventures of Zeke Proctor and Ned Christie at the end of the nineteenth century. These Cherokee desperadoes and their wives, Becca and Jewel, are involved in a series of moral and legal conflicts during the Cherokee Nation's struggle for independence. Stechschulte brings the politicians, judges, marshals, bootleggers, and whites of Oklahoma and Arkansas to life, using varying accents, pacing, and speech patterns. He booms at times but is subtle and soft-spoken when necessary and never stumbles over Cherokee words. His interpretation conveys empathy and affection for Zeke and Ned. S.C.A. (c) AudioFile 2004, Portland, Maine
    • Publisher's Weekly

      December 30, 1996
      At first glance, McMurtry (Dead Man's Walk) and Ossana (his screenwriting partner, and collaborator on Pretty Boy Floyd) appear to be spinning a merely folksy tall tale about a battle for a woman that spirals out of control in the Cherokee territory of Oklahoma in the late 19th century. As the story develops, however, it becomes apparent that they have greater ambitions, such as exploring the different values behind white and Native American justice and the different responses of men and women to the sudden, often brutal, enforcement of frontier justice. Zeke Proctor is the primary protagonist, a Cherokee tribesman with a wife and triplets who lusts after Polly Beck and decides to try to make her his second wife. When Polly's husband objects to Zeke's overtures, a shootout occurs in which Polly is accidentally killed. Zeke is arrested and tried in a Cherokee court. The impatient Beck clan seeks justice via a courtroom shooting spree, leading to Zeke's best friend, Ned Christie, a Cherokee leader with a razor-sharp temper, also being accused of murder. Zeke is eventually granted a government pardon, but Ned is hunted relentlessly by white posses. The friendship between Zeke and Ned gives the story its prime canvas, even as their battles with marshals and rivals add period color. But what gives this well-wrought tale its depth is how McMurtry and Ossana convey the era's various moral shades of gray. 100,000 first printing; major ad/promo; BOMC featured alternate; paperback rights to Pocket Books.

    • AudioFile Magazine
      An unabridged novel of this length (460-plus pages) would normally consume 14 or more cassettes. By racing through it, Barrett Whitener fits it on to 12. How someone can read that fast and still skillfully voice the characters and give meaning to the lines is so miraculous that one suspects some electronic tampering. A pity! Haste destroys much of the book's pastoral lyricism. Whitener errs again in trying to give his protagonists a generic twang in lieu of the appropriate idiom. The reader's intelligence and exuberance almost compensate for these faults, but not quite. Y.R. (c)AudioFile, Portland, Maine
    • AudioFile Magazine
      With his folksy accent, Whitener is agreeable company, an essential attribute in a lengthy novel that unfolds leisurely and with a good many digressions. Whitener is in no hurry, knowing that the story he's relating is slow in building. The novel concerns the lives of two Cherokees during post-Civil War years and the hardships visited upon them and their families at the hands of White Man's justice. In his amiable narration Whitener's one flaw is the one shared by the book itself. Zeke and Ned, part folktale, part tragedy, is more interested in plot than the creation of complex characters. It's a sad novel about raw times and elemental needs and people who cannot hold back a rising tide. M.O. (c)AudioFile, Portland, Maine

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  • English

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